Two teen-age boys in concert t-shirts, trolling Hollywood to soak up the local flavor, such as it is, couldn't believe their good fortune to be having a burger at Mel's Diner when they happened to notice an actual movie star in the joint.
They ambled over, waiting for a lull in his conversation, and then paid a we're-not-worthy-style homage.
"You were really funny in 'Burn After Reading,'" one said.
"And 'Step Brothers!'" the other one added. Whatever concern these two usually have about looking cool had been hastily tossed aside.
Richard Jenkins, who co-starred in both those films, couldn't have looked more pleased with that little slice of genuine, unfiltered fan appreciation. He thanked the kids graciously and they hit the door, texting all the while. Then the veteran actor dove back into a plate of shared fries, a giant Diet Cherry Coke and a chat with Gold Rush about his passion project, "The Visitor."
The character-based drama from newbie distributor Overture is one of the few indies to take root during a year dominated by popcorn flicks (it's brought in about $11.2 million at the boxoffice and nothing but enthusiastic reviews and word of mouth).
Now the talk is about not just the music-centric film but Jenkins himself as a potential awards magnet. Having been a working actor for nearly 40 years, Jenkins is fairly circumspect about trophies and such. The guy who's made four movies each with the Coen and Farrelly brothers, played the dearly departed patriarch on HBO's Emmy winning "Six Feet Under," and got shot to death by Brian Dennehy in his first studio film, "Silverado," thinks it's, well, kind of crass to talk about personal accolades.
Think we let him skate? Read on.
GR: You carry the curse of the character actor, don't you?
RJ: Sometimes people will say, "Hey, are you that guy?" And I say, "I don't know, I might be. Who's that guy?"
GR: "The Visitor" could help, right? Were you thinking this would be an awards-worthy movie when you were making it?
RJ: No, but I knew right away that I really wanted it to succeed. Because if it didn't, it'd be my fault. I didn't want to let (writer/director) Tom McCarthy down after he'd said, "I believe you're the guy who can play this part. You can make this guy live."
GR: So what's it like to be on the awards campaign trail?
RJ: Weird, and by that I mean strange and new. But it's temporary, I do realize that. I told my co-star Haaz (Sleiman) to enjoy it, live it, soak it up. It's amazing to be in a movie that really connects with people.
GR: You're on some critics' early Oscar lists, you know.
RJ: Early's the operative word --most of the Oscar movies haven't even come out yet! I don't think I will get nominated, and it's presumptuous to even talk about it. I'm flattered, don't get me wrong, and I'm not being coy. In any given year, there are so many great performances out there! So, yeah, come on.
Keep going to hear his withering critique of his drumming skills and the two lines that got him killed in "Silverado."